Lowdown: The young princess Victoria’s
rises up to the challenge of becoming a monarch.
Review:
As I was watching 2009’s The Young
Victoria I could picture the process that got the film makers rolling. I
could see marketing people running amok, desperately trying to come
up with ideas for a period drama that would appeal to women viewers and fetch money to the studio.
“Give me a Pride & Prejudice, damn it!”, I could hear the
department head shouting. Then, as everyone grew silent, the newest
employee with nothing to lose whispered: “What about Queen Victoria?”
And thus The Young Victoria came to be:
a period film designed to mix court politics, romance and beautiful
period sets into something sellable. Something people would want to
watch. Me, I wanted to watch it because it featured Emily Blunt, the
actress that so very much impressed me recently with her performances
in The Adjustment Bureau and Wild Target.
Blunt plays the young would be Queen
Vicky, the sole descendant of the three sons and daughters of the
previous English monarch. Victoria is protected and held, as if
hostage, by her mother (Miranda Richardson) and her mother’s
advisor (Mark Strong); however, she wants to grow to be her own
woman. In parallel we see the would be Prince Albert, a member of a
clan making up most of Europe’s monarchies (that same clan that
brought you World War 1); Albert is also being groomed to be
something he does not want to be, a political pawn. Can the two rise
above their circumstances? Well, we know the story even without me
providing any spoilers here already.
The real issue with The Young Victoria
is whether this story and the elaborate period setup provides enough
ammo to run a film with. I argue it doesn’t.
For a start, I couldn’t feel the
least bit moved for any of the characters. Sure, Vicky has had her
family issues. Big deal! She was still living in a palace with people
wiping her butt for her at a time when three year olds were being
groomed en masse to work as chimney cleaners with a life expectancy
lower than my shoe size (as measured by American standard shoe sizes!). No, not even
the inclusion of a Paul Bettany playing Lord Melbourne, the Prime
Minister and a potential adversary in Albert’s path to Victoria’s
heart, could trigger the slightest interest.
Instead it all felt like a particularly
boring movie version of something we’ve all seen many times before.
Boredom is the key experience I took out of The Young Victoria: for
all its elaborate settings and extravagant costumes, I could not
avoid looking at my watch every couple of minutes to verify the world
did not come to a halt yet.
Overall: Perhaps it’s my natural
tendency to treat monarchy with contempt that’s at fault here, but
I was bored shitless by The Young Victoria. 1.5 out of 5 stars.

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